img journal
ISSUE01
Manifesto
We decided to use the first issue of the journal to explain the interdisciplinary and collective nature of IMGjournal: in fact, we asked the members of the scientific committee and the associated editors to voluntarily submit a text, synthetic or extended at their discretion, that would present a disciplinary or personal point of view on issues related to the focus of the journal, proposing experiences in both basic and applied research.
Scholars of visual and graphic science, visual communication, education, psychology – with incursions into art history, semiotics or aesthetics – present in this Issue 01 a multiplicity of points of view that all, however, focus on the core concern of the magazine: images, what they are, how they are conceived, how they are produced, how they are perceived. Ultimately, we believe that the heterogeneity of the first Issue is one of the aspects that qualifies the project positively, as a collective project. Issue 01 is thus configured as an actual Manifesto.
A collective Manifesto.
Keynote
Contributions
Image, imagination and psychology: a long-lasting love story
Borders. Child literature and its intersections
The Visual Bride: Representing Tangible Heritage between Digitality and Real Contents
Building territories and landscapes: the essential knowledge of a forgotten cultural heritage
Graphic, Visual and Image Sciences
Visual culture/representation. Travel notes
Responsibility of the imagination
On Phygital reproductions: new experiential approaches for Cultural Heritage
Notes on interdisciplinarity and transdisciplinarity of images
Graphic transcriptions: Le Corbusier and the Bologna enigma
The visual realism continuum: the roles of high and low-fidelity pictures
From visual journalism to informative experiences: our research on socio design artefacts in the information field
Visual languages and culture of the educational professions
Object Based Learning in museum education. How to imagine a new inclusive heritage
The digital image as complex environmental interface: a scenario additional reading
Towards the use of images on the Web
Unseen Images. Imagination in the Making of Sabine Hertig’s Collages
Inside Image: Technical Notes for Virtual Storytelling
Imagery and imagination in psychological science
Visual Culture in Quantum Mechanics. Image-based knowledge making in a non-intuitive world
Designing images in graphic design. Questions of meaning
Intensifying our gaze in order to expand our action, reflection, and participation